The Weaver's Studio: Doubleweave by Jennifer Moore
By Jennifer Moore
Doubleweave is the paintings of weaving layers of fabric even as, one above the opposite at the loom, growing attractive fabric that's reversible but specific on either side. utilizing pick-up suggestions and shrewdpermanent colour blending, styles emerge which are diversified yet complementary on each one side.
The Weavers Studio Doubleweave starts with a quick heritage of doubleweave and the way it has advanced into the modern weaving items visible at the present time. subsequent, you are going to research the entire fundamentals of doubleweave suggestions, in addition to assistance and tips of developing the warp, and various doubleweave distinctiveness ideas all proven via particular method images and a wealth of swatches demonstrating diverse results. uniqueness concepts are proven for 4-shaft and 8-shaft looms. The weaving results lined comprise lace, tubular weave, pick-up, colour blending, and extra. and because doubleweave showcases colour and trend in particular methods, you are going to how you can use those to nice impact on your fabric designs. during the publication, you'll find a wealth of suggestion with many examples of complete textile and tasks, from wall hangings and desk runners to scarves and pillows.
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Additional resources for The Weaver's Studio: Doubleweave
The Fossil Fern fabric adds interest to the groups of three petals that make up the Forget-Me-Nots; I tried to make sure that the petals varied from each other in value. For the high-contrast embroidered tendrils in lime green, I used all six strands of floss. The Chrysanthemum center calls out for fussy cutting! I embroidered a checkerboard pattern in the center of the Whirled Flower, but a fussy-cut center would work equally well. I used a soft white for the long sprays of Berries to add high contrast and interest.
Use Mylar templates to make A, B, C, and the calyx. Use freezer paper templates to make the crown petals D, E, and F, and the leaf G. Cut the fabric calyx piece in half after pressing to make 2. 3. Cut a 3/8˝-wide bias strip for the stem. Baste A in place. 6. Add B. Sew C in place, leaving a small part of the inside layer of B showing at both ends. Add the leaf and the embroidered tendril. Prepare the appliqué pieces. 4. Appliqué the stem, calyx, and crown petals in order: D, F, and E. Appliqué B, C, and the leaf G.
Instead, you can fill around the center circle with as many petals as desired, using a variety of shapes and colors until the circle is complete. B A 1” Use petals in any combination. Sunflowerâ•›/â•›Asterâ•›/â•›Zinnia Enlarge placement diagram 200%. ï»¿P A R T 1 : T H E F L O W E R S — S unflower / A ster / Zinnia 43 SWEET WILLIAM A The Sweet William is another great flower for a fussy-cut center. The embroidered stitches add texture and dimension. 1” C C D B C A D B Sweet William Enlarge placement diagram 200%.