The Final Victim of the Blacklist: John Howard Lawson, Dean by Gerald Horne
By Gerald Horne
Ahead of he attained notoriety as Dean of the Hollywood Ten—the blacklisted screenwriters and administrators persecuted as a result of their various ties to the Communist Party—John Howard Lawson had develop into some of the most really good, winning, and highbrow screenwriters at the Hollywood scene within the Thirties and Forties, with a number of hits to his credits together with Blockade, Sahara, and Action within the North Atlantic. After his notorious, nearly violent, 1947 listening to sooner than the home Un-American actions Committee, Lawson hung out in legal and his profitable profession used to be successfully over. Studded with anecdotes and in accordance with formerly untapped information, this primary biography of Lawson brings alive his period and lines lots of his admired neighbors and co-workers, together with John Dos Passos, Theodore Dreiser, F. Scott Fitzgerald, Charles Chaplin, Gene Kelly, Edmund Wilson, Ernest Hemingway, Humphrey Bogart, Dalton Trumbo, Ring Lardner, Jr., and so on. Lawson's existence turns into a prism during which we achieve a clearer viewpoint at the evolution and machinations of McCarthyism and anti-Semitism within the usa, at the impact of the left on Hollywood, and on a desirable guy whose radicalism served as a foil for launching the political careers of 2 Presidents: Richard Nixon and Ronald Reagan. In shiny, marvelously distinct prose, Final sufferer of the Blacklist restores this significant determine to his rightful position in background because it recounts essentially the most appealing episodes in 20th century cinema and politics.
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Additional info for The Final Victim of the Blacklist: John Howard Lawson, Dean of the Hollywood Ten
This was accomplished in the face of formidable anti-Jewish barriers. ” He bought a carriage to further impress, or perhaps intimidate, the bigots; it was a “stupendous vehicle,” and the “fairy coach wrought its magic. ” In their eye-catching carriage, Lawson and his family would travel from their huge apartment. “The whole ground floor, running through from Seventy-second to Seventy-first Street, was a big foyer, with Oriental rugs and massive furniture, never used by anyone and empty except for the uniformed attendants.
The conclusion reached by those assembled? ”49 Scott had taken an option on a book about the “racially” charged subject of “restricted covenants” in housing. “I have tried a number of times to secure a release on this picture but none of the companies will touch it,” he wailed. 50 Robert Rossen, the former Communist, faced another kind of dilemma. ”51 The actor 12 / Introduction Edward G. 53 Scripts were “subject to the closest sort of scrutiny”; thus, “the most subversive pictures which have been made are the Gene Autry .
A few minutes before the curtain rose,” a bemused Lawson recounted, “[the director] asked me for a percentage of my royalties, as payment for his help on the script. We argued as if millions were involved. ” Beginnings / 19 On another occasion a director of one of his early plays “gave me a tumbler of whiskey and said he would give me any amount of money if I would withdraw and sign over all my rights in the play to him. . I told him he could have it for one hundred thousand dollars. ”18 Getting this play off the ground also led Lawson into intriguing places.