Do The Gods Wear Capes?: Spirituality, Fantasy, and by Ben Saunders
By Ben Saunders
Brash, daring, and infrequently brutal, superheroes might sound to epitomize glossy pop-culture at its so much melodramatic and senseless. yet in response to Ben Saunders, the attraction of the superhero is essentially metaphysical - even religious - in nature. In chapter-length analyses of the early comedian publication adventures of Superman, ask yourself girl, Spider-Man, and Iron-Man, Saunders explores a few advanced philosophical and theological concerns, together with: the matter of evil; the will-to-power; the stress among intimacy and vulnerability; and the problem of affection, within the face of mortality.
He concludes that comedian booklet fantasies of the superhuman mockingly display greater than we would care to confess approximately our human boundaries, while they reveal the falsehood of the commonly sleek competition among faith and technological know-how.
Clearly and passionately written, this insightful and now and then exhilarating e-book may still satisfaction all readers who think within the redemptive potential of the mind's eye, whether they give thought to themselves comedian ebook fanatics
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Extra info for Do The Gods Wear Capes?: Spirituality, Fantasy, and Superheroes
Over the course of his first 12 appearances he brings down a greedy senator with ties to arms manufactures; punishes a mine owner for forcing his men to work in dangerous conditions; exposes a disingenuous advertising executive out to fleece the public; and attacks dishonest stockbrokers in the oil industry. )6 21 DO THE GODS WEAR CAPES? 3 Let’s reflect for a moment on the idea of virtue represented by this original Superman. Writer Jerry Siegel had not yet found a snappy slogan to summarize the moral imperatives driving his new hero, and so the language with which he introduces the character varies slightly from issue to issue, but the concept of the “battle against oppression” quickly emerges as a constant.
For example, within the apophatic theological tradition, the concept of God is inherently deconstructive; for by asserting that God is knowable only as that which cannot be known, negative theologians undo the opposition between knowledge and faith. 6 First, I offer a brief consideration of Wonder Woman’s Amazon heritage and its implications for the character. Then I consider how her first writer, psychologist William Moulton Marston, self-consciously designed Wonder Woman to change perceptions of gender and sexuality by inverting the hierarchical oppositions of man/woman, power/ weakness, and dominance/submission.
But so does T. S. Eliot’s “The Wasteland,” and the terms of that negotiation are notoriously complex. Rejecting the traditional critical prejudice against mass cultural forms, why should we assume that comic books are always simpler than poems when it comes to processing and transforming their primary materials? Consequently, in this chapter, I do not propose to demonstrate that Superman is “really” a religious figure by performing yet another exegesis of his origin story (which I assume is familiar); nor do I attempt to claim him as a modern version of some ancient archetype by pointing out all the ways he resembles this or that character from heroic myth or folklore.