Deleuze and Guattari’s ’What is Philosophy?’: A Reader’s by Rex Butler

By Rex Butler

What is Philosophy? is the final instalment of a striking twenty-year collaboration among the thinker Gilles Deleuze and the psychoanalyst Félix Guattari. This highly very important textual content makes an attempt to give an explanation for the phrases in their collaboration and to outline the job of philosophy during which they've been engaged. a massive contribution to modern Continental philosophy, it however continues to be especially tough for readers confronted for the 1st time with Deleuze and Guattari's strange and a little allusive style.

This Reader's Guide bargains a concise and obtainable advent to this highly vital and but tough paintings. Written particularly to satisfy the desires of scholars coming to Deleuze and Guattari for the 1st time, the publication deals suggestions at the philosophical and historic context of the textual content, its reception and impact, its key issues, notes on analyzing the textual content and extra interpreting suggestions.

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Extra resources for Deleuze and Guattari’s ’What is Philosophy?’: A Reader’s Guide

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In the single-figure works, the figure is 48 held fixed by the background. In the two-figure works, we have a relationship - sometimes across the panels - not just of the figure to the background, but of one figure to another. And in the threefigured works, there is a relationship between two figures, but also a third 'witness' or 'attendant' figure (FB, 59), as though what is at stake is at once the 'resonance' or 'embrace' of the second moment plus a certain withdrawal from or even failure of this resonance.

For this Reader's Guide, we re-order its chapters in order to bring out this question of genesis. ', 'The Plane of Immanence' and 'Conceptual Personae') and end with science and logic (the chapters 'Functives and Concepts' and 'Prospects and Concepts'). We then dose with the chapter on the brain ('From Chaos to the Brain') and the dlapter on philosophy in relation to history and geography ('Geophilosophy'). , 206) - is the sa me as the most evident historical and geogra phical origins of philosophy in Ancient Greece.

This is then followed by a second moment, in which this percept is related to an observer. It is this that Deleuze and Guattari calI the affect. Examples of this affect given in What is Philosophy? include the relationship of Captain Ahab to Moby Dick or of Mrs Dalloway to London. In sorne ways, however, what is at stake in the affect, insofar as the one who perceives is at this stage nothing outside of what they perceive, is the relationship between two percepts. Art - and this is perhaps to offer a second answer to the question we began by posing - is not only the perception but also the creation of the world and of the one who perceives it.

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