Cross-Stitch in Blue & White by Trice Boerens, Debra Wells, Gloria Judson, Terrece Beesley

By Trice Boerens, Debra Wells, Gloria Judson, Terrece Beesley

This paintings provides over 3 dozen cross-stitch initiatives in line with a subject matter of blue and white. initiatives comprise a floral sampler, a ginger jar, cornflowers, a thistle, duvet block homes, moon and stars, lilacs, and roses.

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The dolls are a snapshot of women in tattooing at that particular moment. If I did the project again, with women or with men, I would get a completely different range of both images and stories. They became a historical record of the culture and the ideas and beliefs at that moment in time. 02 cm). 8 cm). A communal mourning project concerning the war in Iraq. The names of approximately 1,500 American and Allied soldiers and Iraqi civilians who have died in the war are hand-stitched on coffin-shaped fragments of red clothing and appliquéd onto a blue blanket to spell the word repent.

If they lived to the age of forty, the linens were re-worked in yellow thread. • In many parts of Sweden and Norway, a richly embroidered cloth was used to cover a coffin before burial. • New mothers in Uzbekistan asked other women who had recently given birth to healthy children to embroider a skullcap for their own newborns, thereby passing on good health. THE POETIC STITCH: An Interview with Tumim & Prendergast Christopher Prendergast and Matilda Tumim are a husband-and-wife team from Stromness in the Orkney Islands of Scotland.

A: The stories that the tattoo artists told were very interesting. Kate Hellenbrand’s Sailor FeeBee was covered in old sailor tattoos. The story was about her struggle to become a tattoo artist and her struggle to have a choice about what tattoos she wanted to have on her own body. She would go to a tattoo parlor, and if she wanted an anchor or a sailboat or something, the men in the shop would suggest a bird or a flower or a heart. The doll said a lot about her struggles to becoming a leader in the field.

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