Chip Carving Patterns by Diane Harto
By Diane Harto
Книга для любителей резьбы по дереву. Чертежи, иллюстрации.
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Utilizing castings out of your charcoal foundry (see booklet 1 within the sequence: The Charcoal Foundry via David Gingery) and straightforward hand tools (no laptop instruments wanted! ) you could construct a robust and exact mattress for a steel lathe. Then extra castings, universal goods and improvised gear will upload the headstock, tailstock, carriage and all of the ultimate elements to accomplish the lathe.
The conventional folks craft of chip carving is often utilized in Switzerland, Austria, and Germany for the ornament of every kind of wood items. just a couple of low-cost instruments and a small volume of wooden are had to get pleasure from this craft, that is a superb ans easy creation to the wider realm of reduction carving.
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CaRD supply list Cardstock; crayons (Caran d’Ache) Masking Tape Background 30 Simple office-supply masking tape can be transformed into a working surface with just a few strokes of gesso and splashes of watercolor. Applying the tape directly to cardstock and then painting it will create a seamless and unified background. An alternative technique, which I’ve done here, begins with painting the masking-tape strips on a separate surface. Once the masking tape is painted and has fully dried, the strips can be peeled from the non-porous working surface and applied to the cardstock background of the layout.
Let the size dry according to the manufacturer’s directions. 2 3 Gold size (water-soluble liquid adhesive) Small round brush and additional brushes Gold leaf Gilder’s tip (optional) APPLY THE GOLD If using artificial gold, use your fingertip to apply small pieces of gold leaf to dried adhesive. Alternatively, use a gilder’s tip brush or any other brush to apply real gold leaf. Gently rub the leaf with your fingertip (or brush) to adhere. REMOVE THE EXCESS Once the image is covered with leaf, remove the excess using your fingertip or brush.
Once the film is applied to a painting surface, water-soluble mediums can be added and the area beneath the film mask will be protected from subsequent layers of paint. The film peels off easily once the painting is completed, revealing crisp images. Frisket film allows the freedom of messy painting while maintaining clean edges. ) I like using it to create textured, painterly pieces with crisp edges that would be difficult to achieve without the mask. page supply list Cardstock; frisket film (Artool); acrylic paint (Curry’s, Tri-Art); watercolor paint (Winsor & Newton); decorative scissors (Fiskars); gesso (Tri-Art); rub-on letters (Autumn Leaves); photo corners (Canson); rhinestones (Westrim); hole punch; floss (DMC); pen For this technique, you’ll need: Designs printed onto paper 1 Frisket film DRAW AND CUT Print mask designs onto paper.