Catching the Light: Sam Mendes and Simon Russell Beale - A by Mark Leipacher

By Mark Leipacher

Sam Mendes and Simon Russell Beale have solid some of the most winning operating partnerships in modern theatre historical past. throughout two decades and 8 productions their collaboration has developed, matured and retains thriving via their paintings on level; six Shakespeare and Chekhov performs shape their universal physique of labor so far.

Mark Leipacher's correspondence with Mendes and Beale and his thorough study into archival fabric on their collaborations, bargains the reader a close account of the productions and, uniquely, Mendes' and Beale's personal observations on their approach to paintings and at the discoveries they made in all the performs. How do moments of magic on level come up within the practice session room? Catching the sunshine, packed with anecdotes and gem stones of data, is an vital learn for actors, administrators, scholars and an individual who loves the theatre.

Features a foreword from Kevin Spacey, inventive Director of the outdated Vic.

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Extra info for Catching the Light: Sam Mendes and Simon Russell Beale - A Working Partnership

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The most famous of these were The Curtain, The Rose, and, of course, The Globe. The Globe is the theatre where many of Shakespeare’s plays were first produced. The architecture of The Globe became a reference for new theatres, for years to come. The Globe was built as a hexagon that spanned 55 feet across. Now, think back to the Greeks. Their amphitheatre was 80 feet across. The Globe was a much smaller space. Also the audience area could only hold about 1,500 people. How did this new space change or dictate the plays?

There is obviously a lot more to the orders, but that is enough for now! Design Meeting So, you’ve done the research. What is next? At about this point, there is usually another design meeting. This is the time to discuss with the design team any research you might have found and explain how you might use it. A true collaboration ­continues during this step as each designer brings his or her thoughts to the table. Thoughts exchanged freely at this meeting are the way to a ­wonderful ­production.

Since they are not actually trying to make money, their goal is to create great theatre. This is very freeing when working for this type of venue. The regional theatres are just what they sound like. They are located around the world in various geographic regions. The repertory theatres, by their name, are theatre companies that produce more than one show at a time and have performances alternate within the schedule. Summer stock and community theatres are the next group of venues. Summer stock, as its name suggests, occurs during the summer.

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