A Schoolboy's Diary and Other Stories by Robert Walser

By Robert Walser

A Schoolboy's Diary brings jointly greater than seventy of Robert Walser's unusual and beautiful tales, so much by no means ahead of to be had in English. starting with a series from Walser's first publication, "Fritz Kocher's Essays," the total school room assignments of a fictional boy who has met a tragically early dying, this feature levels from sketches of uncomprehending editors, overly passionate readers, and dreamy artists to stories of devilish adultery, sexual encounters on a teach, and Walser's carrier in international conflict I. all through, Walser's careening, confounding, scrumptious voice holds the reader transfixed.

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A Schoolboy's Diary and Other Stories

A Schoolboy's Diary brings jointly greater than seventy of Robert Walser's unusual and beautiful tales, so much by no means ahead of on hand in English. establishing with a chain from Walser's first ebook, "Fritz Kocher's Essays," the full school room assignments of a fictional boy who has met a tragically early dying, this option levels from sketches of uncomprehending editors, overly passionate readers, and dreamy artists to stories of devilish adultery, sexual encounters on a educate, and Walser's carrier in international warfare I.

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Her face, when she looks up, blinds me for a moment. Or maybe my tears do. She radiates no happiness-somegreat grief is bred too deeply into this girl's ffne bones-but there is a change which permits hands to be remembered and a mouth to live again. It cnuld have been fear and its removal, an excisionwhich works wonders with dogs and humans, and *ight, I imaging even with nations. And so she may turn her head away from sorrow, and when she does,the breath catches in my throat; in the nocturnal texture of her hair }ies a single streak of silver, a hue of just the dead- w Sturgeon ls Nioe and,Well .

Not unlessyou want to, and then not for me. Giles, maybe you cant paint because you want to do other things. Well, do them. Do them all; finish thom until they're all done and there's only one tbing left. " -Then the money'sfor paintingt" Oh, she is so patient; oh, how I hate anyone as patient as that. 'No. ltt just for you. Do whatever you want. -I care about that now. oAnd now she has the door open. *Come to the bank. Come get your money. " llhe bank, yes, and then what? " But no, this doesnt hurt her, and no, she is not anryt there's only one thing that touches her, and that one thing reaches through the closed door as we walk in the corridor, stretches down the stairs and past the lintels and the newels and the curb's Strngean Is Akoe and' WeH , .

Door? the gato of gold . . but no, it is no longer a meadow, but a room where I keep my easeland my . . and now I see them both, the room and the meadow, as if one were painted upon glassand through it I saw the other; and which? which the painting? Aiee! my brains are mixed and muddled again, I arn one, the otheg,both, neither. f seea curtain of sky with mountains for its ragged hegt . . a dirry wall, with one small bright spatter of my blood whero I struck it, and the dazed dun maiden raising her stafi, which is a small blue book with gold letters on it.

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